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	<title>Film Criticism</title>
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	<description>For active cinephiles: the art and thought behind cinema.</description>
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		<title>Film Criticism</title>
		<link>http://filmcriticism.wordpress.com</link>
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		<item>
		<title>A Tribute to Jess Franco&#8217;s Paroxismus (Venus in Furs, 1969)</title>
		<link>http://filmcriticism.wordpress.com/2011/08/09/a-tribute-to-jess-francos-paroxismus-venus-in-furs-1969/</link>
		<comments>http://filmcriticism.wordpress.com/2011/08/09/a-tribute-to-jess-francos-paroxismus-venus-in-furs-1969/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 07:13:56 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[photography]]></category>
		<category><![CDATA[60s]]></category>
		<category><![CDATA[Jess Franco]]></category>
		<category><![CDATA[Klaus Kinski]]></category>
		<category><![CDATA[Maria Rohm]]></category>
		<category><![CDATA[psychedelia]]></category>
		<category><![CDATA[Venus in Furs]]></category>

		<guid isPermaLink="false">http://filmcriticism.wordpress.com/?p=397</guid>
		<description><![CDATA[For those who have seen and appreciated Franco&#8217;s Venus in Furs: James Darren&#8217;s opening monologue, Kinski-histrionics, saxophones, and Sacher Masoch on all levels. Above all however, a modest photographic ode to the Istanbul of the film [click to enlarge]: -Ellie Slavova Filed under: photography Tagged: 60s, Jess Franco, Klaus Kinski, Maria Rohm, psychedelia, Venus in [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=397&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Venus in Furs Istanbul</media:title>
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			<media:title type="html">Venus in Furs Istanbul</media:title>
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			<media:title type="html">Venus in Furs Istanbul</media:title>
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		<item>
		<title>PS on Proust &amp; Balbec</title>
		<link>http://filmcriticism.wordpress.com/2011/08/08/ps-on-proust-balbec/</link>
		<comments>http://filmcriticism.wordpress.com/2011/08/08/ps-on-proust-balbec/#comments</comments>
		<pubDate>Mon, 08 Aug 2011 19:58:41 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[france]]></category>
		<category><![CDATA[Normandy]]></category>
		<category><![CDATA[proust]]></category>

		<guid isPermaLink="false">http://filmcriticism.wordpress.com/?p=388</guid>
		<description><![CDATA[A quick addition to the previous post on Marcel Proust. I was lucky enough to make it to Normandie and the town of Cabourg &#8212; the inspiration for Proust&#8217;s emblematic Balbec. Slightly underwhelming, with a scattering of unattractive real estate developments on the seaside walkway, a few cheap bistros, and decidedly unglamorous visitors, Cabourg nonetheless [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=388&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">Cabourg Balbec Proust</media:title>
		</media:content>

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			<media:title type="html">Cabourg Balbec Proust</media:title>
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		<item>
		<title>Marcel Proust on Film: Time Regained (1999)</title>
		<link>http://filmcriticism.wordpress.com/2011/03/19/marcel-proust-time-regained/</link>
		<comments>http://filmcriticism.wordpress.com/2011/03/19/marcel-proust-time-regained/#comments</comments>
		<pubDate>Sat, 19 Mar 2011 00:32:36 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[Book Review]]></category>
		<category><![CDATA[Film Review]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[france]]></category>
		<category><![CDATA[Literature]]></category>

		<guid isPermaLink="false">http://filmcriticism.wordpress.com/?p=361</guid>
		<description><![CDATA[How does a writer transpose an entire life, a series of memories, irrelevances, passions of the past, and musings on both the mundane and profound, into literary form? Can one share an entire life on paper? Arguably yes, with A la Recherche, thanks to Marcel Proust, but then an even more impossible task is laid [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=361&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">filmcriticism</media:title>
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			<media:title type="html">Time Regained Temps Retrouve</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2011/03/p1-4.jpg" medium="image">
			<media:title type="html">Temps Retrouve Proust Ruiz</media:title>
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	</item>
		<item>
		<title>Feminism, Moravia, and the New Wave: Le Mépris (1963)</title>
		<link>http://filmcriticism.wordpress.com/2010/02/15/feminism-moravia-new-wave-le-mepris/</link>
		<comments>http://filmcriticism.wordpress.com/2010/02/15/feminism-moravia-new-wave-le-mepris/#comments</comments>
		<pubDate>Mon, 15 Feb 2010 03:07:12 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Book Review]]></category>
		<category><![CDATA[Film Review]]></category>
		<category><![CDATA[Alberto Moravia]]></category>
		<category><![CDATA[Brigitte Bardot]]></category>
		<category><![CDATA[Feminism]]></category>
		<category><![CDATA[Jean Luc Godard]]></category>
		<category><![CDATA[Michel Piccoli]]></category>
		<category><![CDATA[New Wave]]></category>
		<category><![CDATA[Nouvelle Vague]]></category>

		<guid isPermaLink="false">http://filmcriticism.wordpress.com/?p=297</guid>
		<description><![CDATA[Alberto Moravia published the novel Il disprezzo in 1954, working in themes of culture, sexuality, and modernity into a slim but disturbing tome. Nine years later the book was taken by Jean-Luc Godard, adapted, and slightly re-worked for the screen as Le Mépris (Contempt, 1963), starring Brigitte Bardot and Michel Piccoli as a couple whose [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=297&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>2</slash:comments>
	
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			<media:title type="html">filmcriticism</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/02/cap0kk11.jpg" medium="image">
			<media:title type="html">Le Mepris Godard</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/02/cap011.jpg" medium="image">
			<media:title type="html">Brigitte Bardot Le Mepris Godard</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/02/cap021.jpg" medium="image">
			<media:title type="html">Piccoli Bardot Le Mepris</media:title>
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		<media:content url="http://filmcriticism.files.wordpress.com/2010/02/xcap0271.jpg" medium="image">
			<media:title type="html">Brigitte Bardot Le Mepris</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/02/cap0kk12.jpg" medium="image">
			<media:title type="html">Palance Piccoli Bardot Le Mepris</media:title>
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		<media:content url="http://filmcriticism.files.wordpress.com/2010/02/cap020.jpg" medium="image">
			<media:title type="html">Michel Piccoli Le Mepris</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/02/cap017.jpg" medium="image">
			<media:title type="html">Bargot Godard Le Mepris</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/02/cap025.jpg" medium="image">
			<media:title type="html">Piccoli Bardot Le Mepris 2</media:title>
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		<media:content url="http://filmcriticism.files.wordpress.com/2010/02/capj0141.jpg" medium="image">
			<media:title type="html">Odyssey Godard Le Mepris</media:title>
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		<item>
		<title>A Contemporary Vision of Milan: Visconti’s Rocco and His Brothers (1960)</title>
		<link>http://filmcriticism.wordpress.com/2010/01/22/contemporary-vision-of-milan-visconti-rocco-and-his-brothers/</link>
		<comments>http://filmcriticism.wordpress.com/2010/01/22/contemporary-vision-of-milan-visconti-rocco-and-his-brothers/#comments</comments>
		<pubDate>Fri, 22 Jan 2010 05:40:04 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[Film Review]]></category>
		<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[alain delon]]></category>
		<category><![CDATA[Annie Girardot]]></category>
		<category><![CDATA[italy]]></category>
		<category><![CDATA[Luchino Visconti]]></category>
		<category><![CDATA[Milan]]></category>
		<category><![CDATA[Neorealism]]></category>

		<guid isPermaLink="false">http://filmcriticism.wordpress.com/?p=261</guid>
		<description><![CDATA[Luchino Visconti (1906 &#8211; 1976) came from the House of Visconti of Milan, which ruled the territory despotically and established it as one of the premier city-states in Renaissance Italy during the 13th through 15th centuries.  The House of Sforza, a later ruling dynasty of equally dominant condotierri militants, had its roots with the Viscontis &#8212; Francesco [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=261&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">filmcriticism</media:title>
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		<media:content url="http://filmcriticism.files.wordpress.com/2010/01/cap024.jpg" medium="image">
			<media:title type="html">Alain Delon Rocco and His Brothers</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/01/cap013.jpg" medium="image">
			<media:title type="html">Visconti Rocco and His Brothers Milan</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/01/cap028.jpg" medium="image">
			<media:title type="html">Visconti Rocco and His Brothers Milan Duomo Cathedral</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/01/cap019-1.jpg" medium="image">
			<media:title type="html">Visconti Rocco and His Brothers Girardot Delon</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/01/cap023-1.jpg" medium="image">
			<media:title type="html">Rocco and His Brothers Visconti Delon Girardot Duomo</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/01/cap020-1.jpg" medium="image">
			<media:title type="html">Visconti Rocco and His Brothers Alain Delon Duomo</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/01/cap016.jpg" medium="image">
			<media:title type="html">Milan Cathedral Duomo Roof Rocco and His Brothers</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/01/cap027.jpg" medium="image">
			<media:title type="html">Il Duomo Milan Cathedral Rocco and His Brothers Visconti</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2010/01/cap018.jpg" medium="image">
			<media:title type="html">Il Duomo Milan Cathedral Rocco and His Brothers Visconti</media:title>
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	</item>
		<item>
		<title>Michelangelo Antonioni: Alientation &amp; Angst</title>
		<link>http://filmcriticism.wordpress.com/2009/11/26/michelangelo-antonioni-alientation-angst/</link>
		<comments>http://filmcriticism.wordpress.com/2009/11/26/michelangelo-antonioni-alientation-angst/#comments</comments>
		<pubDate>Thu, 26 Nov 2009 06:00:18 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[Miscellaneous]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[EUR]]></category>
		<category><![CDATA[fascism]]></category>
		<category><![CDATA[Giuseppe Terragni]]></category>
		<category><![CDATA[Gruppo Sette]]></category>
		<category><![CDATA[italy]]></category>
		<category><![CDATA[Marcello Piacentini]]></category>
		<category><![CDATA[Michelangelo Antonioni]]></category>
		<category><![CDATA[monica vitti]]></category>
		<category><![CDATA[rationalism]]></category>
		<category><![CDATA[Razionalismo]]></category>

		<guid isPermaLink="false">http://filmcriticism.wordpress.com/?p=152</guid>
		<description><![CDATA[A photographic ode to Antonioni&#8217;s alienation trilogy: L&#8217;Avventura (1960), La Notte (1961), and L&#8217;Eclisse (1962). The themes of incommunicability and inability to articulate between the sexes, the impending nuclear holocaust, the bare, post-war cityscapes burdening Man with their geometric, fascist weight. Yet, even these themes had a certain charm to them in the 1960s. &#8220;I [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=152&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">filmcriticism</media:title>
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		<media:content url="http://filmcriticism.files.wordpress.com/2009/11/dsc003822.jpg" medium="image">
			<media:title type="html">Antonioni 1</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2009/11/dsc005121.jpg" medium="image">
			<media:title type="html">Antonioni 3</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2009/11/dsc00655.jpg" medium="image">
			<media:title type="html">Antonioni 2</media:title>
		</media:content>
	</item>
		<item>
		<title>Luis Buñuel: My Last Sigh (1983)</title>
		<link>http://filmcriticism.wordpress.com/2009/11/25/luis-bunuel-my-last-sigh-1983/</link>
		<comments>http://filmcriticism.wordpress.com/2009/11/25/luis-bunuel-my-last-sigh-1983/#comments</comments>
		<pubDate>Wed, 25 Nov 2009 16:16:03 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[Book Review]]></category>
		<category><![CDATA[Autobiography]]></category>
		<category><![CDATA[dada]]></category>
		<category><![CDATA[Luis Buñuel]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[surrealist]]></category>

		<guid isPermaLink="false">http://filmcriticism.wordpress.com/?p=42</guid>
		<description><![CDATA[In 1982, filmmaker, surrealist, and provocateur of the status quo (be it religion, morality, or bourgeois mentality), Luis Buñuel published a book of memoirs and musings called Mon Dernier Soupir. The work was translated as My Last Sigh the following year, after the director’s death. The strange timing of this ultimate declaration, this final earthly [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=42&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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			<media:title type="html">filmcriticism</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2009/11/dsc008272.jpg" medium="image">
			<media:title type="html">My Last Sigh-Cover</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2009/11/dsc00834.jpg" medium="image">
			<media:title type="html">Buñuel at work</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2009/11/dsc00829.jpg" medium="image">
			<media:title type="html">Buñuel-Young &#38; Old</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2009/11/dsc008301.jpg" medium="image">
			<media:title type="html">Dali</media:title>
		</media:content>

		<media:content url="http://filmcriticism.files.wordpress.com/2009/11/dsc008361.jpg" medium="image">
			<media:title type="html">Buñuel - That Obscure Object</media:title>
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		<item>
		<title>Quest for Modern Identity: The Return of Martin Guerre (1982) &amp; Microhistory</title>
		<link>http://filmcriticism.wordpress.com/2009/09/24/modern-identity-martin-guerre/</link>
		<comments>http://filmcriticism.wordpress.com/2009/09/24/modern-identity-martin-guerre/#comments</comments>
		<pubDate>Thu, 24 Sep 2009 14:46:32 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[Analysis]]></category>
		<category><![CDATA[Book Review]]></category>
		<category><![CDATA[Film Review]]></category>
		<category><![CDATA[early modern Europe]]></category>
		<category><![CDATA[microhistory]]></category>
		<category><![CDATA[modern identity]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[The Return of Martin Guerre]]></category>

		<guid isPermaLink="false">http://filmcriticism.wordpress.com/?p=69</guid>
		<description><![CDATA[The mission of this analysis is to determine whether a seminal microhistorical work, Natalie Zemon Davis’s The Return of Martin Guerre (1983), can explain the development of modern identity in the terms laid out by philosopher Charles Taylor in Sources of the Self (1989) and New Historicist Stephen Greenblatt’s Renaissance Self-Fashioning: From More to Shakespeare [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=69&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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		<media:content url="http://filmcriticism.files.wordpress.com/2009/09/mg1.jpg" medium="image">
			<media:title type="html">Return of Martin Guerre 1</media:title>
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		<media:content url="http://filmcriticism.files.wordpress.com/2009/09/mg41.jpg" medium="image">
			<media:title type="html">Return of Martin Guerre-2</media:title>
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			<media:title type="html">Return of Martin Guerre-3</media:title>
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		<title>Elio Petri: Investigation of a Citizen Above Suspicion (1970)</title>
		<link>http://filmcriticism.wordpress.com/2009/09/13/petri-investigation/</link>
		<comments>http://filmcriticism.wordpress.com/2009/09/13/petri-investigation/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 14:43:55 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[Film Review]]></category>
		<category><![CDATA[elio petri]]></category>
		<category><![CDATA[gian maria volonte]]></category>
		<category><![CDATA[Investigation of a Citizen Above Suspicion]]></category>
		<category><![CDATA[political cinema]]></category>

		<guid isPermaLink="false">http://filmcriticism.wordpress.com/?p=54</guid>
		<description><![CDATA[The final scene in Elio Petri’s Investigation of a Citizen Above Suspicion (Indagine su un cittadino al di sopra di ogni sospetto, 1970) concludes with a quote from Franz Kafka’s The Trial (Der Prozess, 1925): “Whatever he may seem to us, he is yet a servant of the Law; that is, he belongs to the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=54&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">Investigation of a Citizen Above Suspicion-title</media:title>
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		<media:content url="http://filmcriticism.files.wordpress.com/2009/09/cap002-1.jpg" medium="image">
			<media:title type="html">Investigation of a Citizen Above Suspicion-Volonte</media:title>
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		<media:content url="http://filmcriticism.files.wordpress.com/2009/09/cap006-1.jpg" medium="image">
			<media:title type="html">Investigation of a Citizen Above Suspicion-mao</media:title>
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		<media:content url="http://filmcriticism.files.wordpress.com/2009/09/cap003-1.jpg" medium="image">
			<media:title type="html">Investigation of a Citizen Above Suspicion-play</media:title>
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		<title>Welcome to Film Criticism</title>
		<link>http://filmcriticism.wordpress.com/2009/09/13/welcome/</link>
		<comments>http://filmcriticism.wordpress.com/2009/09/13/welcome/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 01:12:18 +0000</pubDate>
		<dc:creator>filmcriticism</dc:creator>
				<category><![CDATA[General]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[photography]]></category>

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		<description><![CDATA[This is the obligatory first post. Let&#8217;s keep it light. And let&#8217;s remember the sometimes pleasant antagonism between industry and art.       Posted in General Tagged: art, film, photography<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=filmcriticism.wordpress.com&amp;blog=9456941&amp;post=1&amp;subd=filmcriticism&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">DSC00232</media:title>
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